Jennifer Kilgore-Caradec is Associate Professor of English/MCF at Université Caen Normandie and a researcher affiliated with LARCA, Université Paris Cité (France). She is interested in Poetic Modernism, Modernisms and Comparative Literatures, Literature and War, Religion and Literature, and Literary translation from French to English, as well as Women’s Studies. Her more recent publications include direction of a number of Etudes Anglaises (71.2), Reading Geoffrey Hill in 2020 and co-editing the volume European Voices in the Poetry of W.B. Yeats and Geoffrey Hill (2015). Her monograph for the French competitive teachers exam (agrégation), John Ashbery: Self-Portrait in a Convex Mirror, appeared in 2019 (Atlande).

 

Chloé Thomas is Assistant Professor of American Literature and Translation at the University of Angers, France. She is currently on reasearch leave and affiliated with LARCA - Université Paris Cité. Her latest book, Les Excentrés: poètes modernistes américains, on the first generation of Modernist poets (Eliot, Stein, Moore, H.D., Pound, Williams, Stevens…) was published in 2021 with CNRS éditions. She is also a translator from English and German..

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Natalia Carbajosa Palmero holds a Ph.D. in English Studies by the University of Salamanca and is Associate Professor at the University of Cartagena (Spain), where she teaches Professional and Academic English since 1999. She has conducted research in areas like Shakespearean studies, twentieth-century Anglo-American avant-garde poetry, and poetry translation. She has published annotated translations of authors like H.D., Lorine Niedecker and Rae Armantrout, among others, and is the co-author of a 2019 study on female Beat poetry (Female Beatness. Mujeres, género y poesía en la Generación Beat). A poet herself, she has published six poetry collections. Dídac Llorens-Cubedo is currently Professor of English and American literature at the Spanish Universidad Nacional de Educación a Distancia (UNED). He has published T. S. Eliot and Salvador Espriu: Converging Poetic Imaginations (Universitat de València, 2013) and co-edited New Literatures of Old: Dialogues of Tradition and Innovation in Anglophone Literatures (Cambridge Scholars Publishing, 2008). His research focuses on Modernism, (neo)Victorianism and comparative literature, across languages and the arts. He coordinates the research project “T. S. Eliot’s Drama from Spain: Translation, Critical Study, Performance (TEATREL-SP)”, funded by the Spanish Ministerio de Ciencia, Innovación y Universidades.